Where Was Netflix's Ripley Filmed in Rome?

Sculpture exhibit inside the Borghese Gallery in Rome
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Steven Zaillian’s neo-noir thriller series Ripley has taken the Internet by storm, earning widespread critical acclaim and cementing Andrew Scott’s reputation as a formidably talented actor. 

Despite being shot almost entirely in black-and-white, Ripley is one of the most aesthetically stunning series in recent years. Even its opening shots on the New York subway wouldn’t look out of place among an art-house coffee-table photography book. And while it was filmed across more than 200 locations in Italy — from the sleepy square of Atrani and grubby alleyways of Palermo to the shimmering canals of Venice — few cities fare better than Rome. 

Here is where Ripley was filmed in Rome.

**Spoiler warning: this article contains information related to the plot of Netflix's Ripley**

Termini Train Station

Tom Ripley first arrives into Roma Termini, the city’s main train station. Production designer David Gropman has done a fantastic job in recreating today’s station, but you might be surprised to learn that no actual train station was used in filming this series. Instead, Gropman built a composite in a hall in the southern district of EUR (the Esposizione Universale Roma).

Termini-Train-Station-in-Rome

This scene was not shot in Termini Station but in a purpose-built hall in EUR. Image credit: Netflix

Hotel Excelsior

Ripley then takes a taxi to the Hotel Excelsior, a five-star hotel situated at the top of the Spanish Steps. While Rome does have a Westin Excelsior a little further north on the Via Veneto, none of the filming took place here, as Gropman shared with Condé Nast. “We shot the exterior at the Hassler Roma and we shot the interior at The Plaza [in New York City.]

Lobby-of-the-hotel-in-Rome

Lobby of Rome’s Hotel Excelsior. This interior actually comes from the NY Plaza. Image credit: Netflix

Some of the magnificent interior, including the lion staircase, comes from Rome’s Grand Hotel Plaza –  a five-star hotel on the Via del Corso. The suites belonging to Freddie, Dickie’s friend and Tom’s rival, were shot at Rome’s 16th-century Palazzo Ruspoli.

Hotel Bolivar

The exterior of the Hotel Bolivar (a real four-star hotel), which Tom checks into under Dickie’s name once Marge manages to track him down, was filmed onsite and is located in an alley above Via delle Tre Cannelle (the Street of the Three Taps) on the Quirinal Hill.

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Via delle Tre Cannelle on the Quirinal Hill. Image credit: Netflix

This hotel had a different name in the original script. But the picturesque four-nosed fountain and staircase leading up to it convinced the producers to feature it instead. Its rooms, however, were shot at a house in Rome.

Banca della Repubblica

The bank that Tom Ripley visits in Rome was filmed at the Salone delle Fontane in the EUR district to the south of the city. Designed in the 1930s, during the Fascist regime of Benito Mussolini, the Esposizione Universale Roma was built to host a Universal Exhibition. However, with the outbreak of the Second World War in 1939, this universal exhibition never took place.

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The Banca della Repubblica, filmed in EUR’s Salone delle Fontane. Image credit: Netflix

EUR’s architecture is characterized by its rationalist style, with wide boulevards, towering buildings, and monumental squares. Perhaps its most famous monument is the so-called Colosseo Quadrato (Square Colosseum) which is now the headquarters of the Italian fashion brand Fendi.

Temple of Hadrian

The scene in which Tom Ripley stumbles upon the Temple of Hadrian shows the quintessence of la dolce vita in 1950s Italy, with beautiful, elegantly dressed people sitting around tables and watching the world go by.

Temple-of-Hadrian

Tom Ripley walks towards the Temple of Hadrian in Piazza della Pietra. Image credit: Netflix

The square in question is Piazza di Pietra (the Stone Square), and the most conspicuous stone monument that runs alongside it is the second-century CE Temple of Hadrian.

See this temple and more on our Rome Walking Tour

Originally dedicated to the deceased emperor by Hadrian’s successor Antoninus Pius, since 1831, this temple has been home to the Rome Stock Exchange.

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Tom Ripley reads the paper outside the Temple of Hadrian. Image credit: Netflix

San Luigi dei Francesi

While immersing himself in Rome’s artistic patrimony, Tom pays a visit to the Church of San Luigi dei Francesi (Saint Louis of the French). Built in the sixteenth century, the church is one of several in Rome that bears strong links to the French community, since it was dedicated to their patron saints.

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The Caravaggio-Cycle in the Church of San Luigi dei Francesi in Rome. Image credit: Netflix

Its most famous feature is the Caravaggio cycle, depicting three moments in the life of Saint Matthew, where a passing priest’s comment (“it’s always the light”) inspires Tom’s final deception of Inspector Galvini. However, the church's interior, as featured in the series, was shot in the Neapolitan church of Santa Maria la Nova.

Galleria Borghese

The next place Tom visits on his artistic itinerary through Rome is the Borghese Gallery at the centre of Villa Borghese Park. This seventeenth-century gallery contains the personal collection of Cardinal Scipione Borghese, and is without a doubt is home to one of Rome’s most impressive collections.

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Tom Ripley stares at a Caravaggio painting inside the Borghese Gallery, with his back to Bernini’s Apollo and Daphne statue. Image credit: Netflix

As well as a collection of famous statues by Gian Lorenzo Bernini, Galleria Borghese is home to several famous works by the Italian Baroque artist Caravaggio. The painting that first occupies Tom’s attention is David with the Head of Goliath (1610), which is believed to be a self-portrait of Caravaggio as a young man and as an adult (a shady historical figure whose similarities to Tom Ripley are alluded to throughout the series). 

However, this scene was filmed in the similarly ancient (but far less visited) Palazzo Taverna in the center of Rome, with a copy of Bernini's statue of Apollo and Daphne.

Treat Yourself to a VIP Tour of the Borghese Gallery

Castel Sant'Angelo

While walking around Rome at night, Tom Ripley crosses over the River Tiber on Ponte Sant'Angelo. The building to his back is Castel Sant'Angelo, an imposing fortification which has served several purposes throughout the centuries.

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Castel Sant’Angelo, as seen from Sant’Angelo Bridge. Image credit: Netflix

Originally constructed as the dynastic mausoleum for the emperor Hadrian (reigned 117 - 138 CE), Castel Sant'Angelo was subsequently transformed into a papal fortress, a place of execution and the city's most formidable prison. Now Castel Sant'Angelo is a municipal museum, showcasing underwhelming exhibits but a nonetheless impressive interior.

Largo Magnanapoli

En route to the Via Appia, Tom Ripley drives past Largo Magnanapoli on the Quirinal Hill. At the middle of this roundabout stand some of the oldest surviving remnants of Rome’s Servian Walls.

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Tom drives past the roundabout of Largo Magnanapoli in Rome. Image credit: Netflix

Dating to the 4th century BC, these tufa blocks formed part of a monumental ancient gate: the Porta Sanqualis. Looking at them now, we're not sure what’s more impressive: that they’ve survived millennia of sieges, raids and urban development or that they’ve withstood a century or so of awful Roman driving.

Altar of the Fatherland

The next monument Tom Ripley drives past is the known variably as the Vittoriano or the Altar of the Fatherland. Dating to the second half of the nineteenth century, the monument commemorates the Unification of Italy and the first king of united Italy – Victor Emmanuelle II.

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Tom drives past the Altar of the Fatherland (Vittoriano) monument in Rome. Image credit: Netflix

The roundabout in the foreground is situated at the centre of Piazza Venezia, a monumental square that derives its name from the palace at its far end. This palace, Palazzo Venezia, was constructed in the fifteenth century by the Venetian cardinal Pietro Barbo (who became Pope Paul II) before being donated to the Venetian Republic by Pope Pius VI.

In more recent history, Palazzo Venezia was chosen as the headquarters of Benito Mussolini.

Theatre of Marcellus

The mounment Tom Ripley passes after driving around Piazza Venezia is a first-century BC structure known as the Theatre of Marcellus.

Theatre-of-Marcellus

Tom drives past the Theatre of Marcellus at the foot of Rome’s Capitoline Hill. Image credit: Netflix

Built during the reign of Augustus, on land cleared his adoptive father Julius Caesar, this theatre would have been dedicated by Marcus Marcellus, Augustus’s nephew and possible heir, had Marcellus not died in 23 BC, succumbing to what was probably a plague. We know that the theatre was finished by 17 BC because it hosted the Secular Games—a tradition revived by Augustus in which every passing century was celebrated with sacrifices, poetic recitals, and theatrical performances. But the theatre wasn’t officially dedicated until a few years later.

The Theatre of Marcellus would have stood at a total height of over 32 metres (12 more than its present height). The best estimates set its seating capacity at 15,000 (or 20,000 at a push); a figure pretty much in line with what our ancient sources tell us. All you can see from the outside is the cavea, but beyond the façade are its internal corridors (partially built of tufa ashlars), concrete vaults, and inner segment.

Not too long ago, the apartments above the theatre were up for sale for a cool £26 million.

Porta San Sebastiano

Tom Ripley drives through Porta San Sebastiano (Saint Sebastian Gate) on his way to the Via Appia.

Porta-San-Sebastiano

Tom Ripley drives through Porta San Sebastiano on his way to the Via Appia Antica. Image credit: Netflix

Known in antiquity as the Porta Appia (Appian Gate), this is the southernmost gate in the city walls that leads on to the Via Appia. The Porta Appia couldn’t escape the Christianisation of Roman place names, however, and by the second half of the fifteenth century it was more commonly known as Porta San Sebastiano because of its proximity to the eponymous basilica and catacombs nearby.

Between 1942 and 1943, the interior of Porta San Sebastiano was renovated to become the residence of the Fascist Party’s secretary, Ettore Muti. Furnished with resplendent imported mosaics, the portcullis chamber, Muti’s former abode and the towers that flank now serve as the Museo delle Mura

Via Appia Antica

The Via Appia Antica (Old Appian Way) is one of the most memorable and evocative set locations from series since it is the place where Tom decides to dump Freddie’s body.

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Tom Ripley leaves Freddie’s body in his car on the Via Appia Antica. Image credit: Netflix

Somewhat ironically, the Via Appia has always borne a close association with death, since it was only outside the ancient city walls that the Romans were allowed to bury their dead. Several catacombs line the way, together with mausoleums, tumuli, and the remains of imperial-era villa complexes.

Walking or cycling down the Via Appia is one of the most rewarding things to do in Rome. If you're visiting, make sure to set a morning or afternoon aside to explore the catacombs, imperial villas, and mauseoleums that line its tree-lined ancient cobblestones.

Visit the Appia with a Specialist Guide

Casale di Roma Vecchia

The place from which Tom Ripley hails a taxi after leaving Freddie's body on the Via Appia is the Casale di Roma Vecchia (Farmstead of Old Rome).

Casale-Roma

Tom Ripley hails a taxi from Casale di Roma in the Park of the Aqueducts. Image credit: Netflix

Originally part of the second-century CE Villa of the Quintili, an enormous private residence that spanned some 130 hectares, this farmstead is architecturally speaking a proper Picasso of a building, made up of peperino masonry alternating with flint and marble flakes. Its structure has changed significantly over the years, as has its ownership by successive aristocratic families.

Claudian Aqueduct

Towards the end of his night from hell, Ripley walks alongside the Aqua Claudia (Claudian Aqueduct) — one of six aqueducts whose remains can be found in Rome's Aqueduct Park.

Claudian-Aqueduct

Tom Ripley walks along the Claudian Aqueduct at the end of an eventful night. Image credit: Netflix

This first-century CE aqueduct ran 43 miles from its source near the River Anio to the city of Rome, and inundated the city with around 184,000 cubic metres of water per day (184 million litres or 48 million gallons).

Visit the Aqueduct Park with an Oxford Historian

Scalinata dei Borgi (Borgia Stairs)

The scene that opens the final episode, in which police discover the body of Caravaggio’s victim, was shot at the the Scalinata dei Borgia stairs in the neighbourhood of Monti.

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Scalinata dei Borgi, where the body of Caravaggio’s victim is found. Image credit: Netflix

Known throughout antiquity and the Middle Ages as the "Vicus Scelleratus" or "Cursed Way", legend has it that it was the site of the murder of the infamous enemies of the Borgia family. Nowadays, Monti is best known as one of the centres of Rome’s nightlife

At the top of these stairs, you’ll find the Basilica of Saint Paul in Chains, home to Michelangelo’s masterful Moses statue. At the bottom is Finnegan’s Irish Pub, a great place for a Guinness or to catch the latest match. 

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Alexander Meddings
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Alexander Meddings is a professional copywriter and postgraduate in Roman history from the University of Oxford. After graduating with his MPhil, he moved to Florence and then Rome to carry out his research on the ground and pursue his passion at the source. He now works in travel, as a writer and content consultant, and in education as a university lecturer and translator.
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